House of Tudor

 

Rejuvenated West Coast hip hop, Apocalyptic movement-theater, and Jack Palance as Fidel Castro

BY SILKE TUDOR

 

 

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Worthy is the Lamb that was slaughtered to receive power and wealth and wisdom and might and honor and glory and blessing!

This is all very fine and well for the Lamb (except maybe the slaughtering part); as for the rest of us, it amounts to a bugle-boy greeting followed by seven seals, seven plagues, four horsemen, two beasts, and a really, really bad time. Allegedly penned by the Apostle John while he was doing time in a Roman penal colony, the Book of Revelation is a graphic depiction of the end times included at the conclusion of many Christian Bibles. While it is one of the milder contributions to the Apocrypha -- those religious documents rejected by Jews and Protestants -- it remains an endless font for good horror movies and bad acid trips: oozing sores; oceans of blood; storms of fire, frogs, and ice; dragons with seven heads and 10 horns; and whores sitting in lakes of excrement with worms eating their entrails. (OK, that last one came from the Apocalypse of Peter, but still ....) Any way you cut it, the end of the world is juicy stuff, ripe for stage and screen and, in this case, one very peculiar children's mime. Apocalypse: The Book of Revelation is a one-man show by Northern Californian movement-theater artist Eliot Fintushel. A two-time recipient of the U.S. National Endowment for the Arts Solo Performer Award, Fintushel is also a theater instructor, a puppet maker, a science-fiction writer, and, it must said, a bit of a wack job. Who else would deliver a blow-by-blow account of the final battle of Armageddon while standing on his head, or stage Revelation in its entirety -- nearly 12,000 words -- by himself? Gardner Dozois, editor of Isaac Asimov's Science Fiction Magazine, has described Fintushel's writing as bizarre, biting, brilliant, and totally gonzo. Certainly, the same must be said of his stagecraft. Using masks, variant voices, ancient hymns, and precise physical allusions, Fintushel conjures the final days, embodying the Whore of Babylon, poor brother John, the Beast, the angels, the sinners, the saviors, and God himself with schizophrenic dexterity. It's a wonder he can sleep at night. Apocalypse: The Book of Revelation will be presented Thursdays, Fridays, and Saturdays through June 28 at the Marsh (1062 Valencia near 22nd Street) at 8 p.m. Tickets are $12-17; call 826-5750.


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.sfweekly.com | originally published: June 4, 2003

 

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